Mikayla Swallow

Thursday, October 5, 2017

Download Trailmade Font by Adam Ladd

Trailmade font - Say hello to new Trailmade font family designed by Adam Ladd, Trailmade fonts release at Sep 28, 2017. Trailmade is the perfect titling font to complement text faces in magazines, logotypes, etc.

Trailmade is a rugged and stylish brush font with regular, italic, and extras styles. Explore an adventurous path with this typeface that ventures a little outside the typical brush script genre but still carries echoes of it. The upright design of the regular style has a confident appearance, while the italic style gives a little more of a signature look.

Hand-lettered with a brush pen on paper, Trailmade includes swash characters, automatic double-letter ligatures, and a complete second set of lowercase stylistic alternates to switch in and out for a more authentic feel. There is also a matching Extras font featuring a variety of lines and dingbats that will complement your typography.

All alternates, swashes, and ligatures are PUA-encoded for more accessibility in a variety of programs. This font has extensive Latin language support for Western, Central, and Eastern European.

Download : http://myfonts.us/0nqHuH

Gallery and Sample : http://myfonts.us/nypRzI

Download : http://myfonts.us/0nqHuH

Gallery and Sample : http://myfonts.us/nypRzI

Tuesday, October 3, 2017

Download Heading Pro Font by Zetafonts

Heading Pro font - designed by Francesco Canovaro bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Heading Pro is a typeface family designed by Francesco Canovaro for Zetafonts. It’s a geometric condensed typeface with high legibility and a powerful personality, created to optimize space on the printed page and on the screen. Heading Pro, coming in eight weights and matching italics, is designed to excel in titles and subheadings, timetables, name and credit lists and cases of exuberant and excessive copywriting. The family also includes a Small Caps variant, with a larger x-height than the standard Petite Caps, and a Compressed variant, both available in eight weights from thin to heavy, for a total of 32 weights. It covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic.

Download : http://myfonts.us/ORJMyU

Gallery and Sample : http://myfonts.us/ipOKhQ

Download : http://myfonts.us/ORJMyU

Gallery and Sample : http://myfonts.us/ipOKhQ

Monday, October 2, 2017

Download Gazeta Font by Vanarchiv

Gazeta font - Say hello to new Gazeta font family designed by Ricardo Santos, Gazeta fonts release at Sep 28, 2017. Gazeta is the perfect titling font to complement text faces in magazines, logotypes, etc.

This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it’s simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.

Download : http://myfonts.us/bucMA7

Gallery and Sample : http://myfonts.us/fJGLxy

Download : http://myfonts.us/bucMA7

Gallery and Sample : http://myfonts.us/fJGLxy

Sunday, October 1, 2017

Download Stevie Sans™ Font by Typefolio

Stevie Sans™ font - designed by Marconi Lima bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Some years ago I had my first contact with a grotesque typeface, when handling a sample catalog of typographic specimens from the age of phototypesetting. The style eventually settled in my memory waiting for the work of time.

Behind its apparent neutrality, there is a complex balance game, that almost leads to the basic principles of design which deliver such power to the grotesque style. Stevie Sans is the answer to the action of time. A bridge that allows the designer to go into the past, while being in the present and looking towards the future. It is what it’s expected from a grotesque designed in the 21st century.

With 7 roman styles ranging from thin to black, support to many languages and essential opentype features, Stevie Sans is the ideal choice for your project.

Download : http://myfonts.us/m9WXDn

Gallery and Sample : http://myfonts.us/DvJm7w

Download : http://myfonts.us/m9WXDn

Gallery and Sample : http://myfonts.us/DvJm7w

Download Neue Haas Grotesk™ Font by Linotype

Neue Haas Grotesk™ font - Say hello to new Neue Haas Grotesk™ font family designed by Max Miedinger,Christian Schwartz, Neue Haas Grotesk™ fonts release at Mar 19, 2012. Neue Haas Grotesk™ is the perfect titling font to complement text faces in magazines, logotypes, etc.

The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The typeface was soon revised and released as Helvetica by Linotype AG.

As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. In the 1980s Neue Helvetica was produced as a rationalized, standardized version.

For Christian Schwartz, the assignment to design a digital revival of Neue Haas Grotesk was an occasion to set history straight. “Much of the warm personality of Miedinger’s shapes was lost along the way. So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type).”

Schwartz’s revival was originally commissioned in 2004 by Mark Porter for the redesign of The Guardian, but not used. Schwartz completed the family in 2010 for Richard Turley at Bloomberg Businessweek. Its thinnest weight was designed by Berton Hasebe.

Download : http://myfonts.us/SRyIpo

Gallery and Sample : http://myfonts.us/RhaePM

Download : http://myfonts.us/SRyIpo

Gallery and Sample : http://myfonts.us/RhaePM

Download Sleepy Fat Cat Font by me55enjah

Sleepy Fat Cat font - designed by Rendy Yanwar bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Introducing Sleepy Fat Cat typeface. A hand-made lettering, inspired by cute fat cat character.

Do you know a fat cat? Perhaps you have a fat cat of your own that watches you while you design? Maybe you don't even like cats! Whatever the case, you'll love this font! An almost childish look with bonus kitty graphics!

This doodle bold typeface can create some fun & playful character on your design. This typeface come with uppercase, lowercase, punctuation, numbers, alternate and an extra character.

Extra comes with 8 hand-made cat characters. TTF and OTF files are included.

Download : http://myfonts.us/ObAwRz

Gallery and Sample : http://myfonts.us/KsbTUD